Hello my name is Vyvian. I am the collection of raw energy that drives the body that is responsible for the musical project known as Luuli. I’ve been making music for a time span already. I have played several electronic music events. My music style has been described as being “alien”, “killaargh”, and “hyper-dimensional”, but to me it’s just a bunch of speaker commands. I hope when a listener experiences my music they will in some way expand their boundaries by stepping out of their comfort zones, therefore forcing their comfort zones to grow to fit their new scale. Through tools such as confusion, tension, humor, fear, and many others all fired at a fast and ever-changing pace I intend to make you feel uncomfortable… and to force your brain to try and perceive things it had never thought plausible in the audio spectrum and thus force you to grow to new levels of “being able to handle it”, no matter what “it” may be. I want to make what you previously thought to be intense now sound simplistic and innocent. I want to swell gushing tidals of emotional waves over you as I am embrace after I am abrasive. I make music for people to feel. I don’t make music for computers. I don’t make music for aliens. I make music for beautiful people to practice their freedom to or to challenge themselves with. Spontaneous Traumatic is released by JellyFish Frequency Recordings. Mastering and artwork by Vyvian Looper.

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Released under a Creative Commons licence for noncommercial usage. Donations are welcome; please address them to St. James Infirmary in San Francisco, California, or via Paypal to JellyFish.Frequency@gmail.com.

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Old school Suomisaundi and Finnish funkedelic disco electronica pioneers Haltya are back with another release for your pleasure: Japan Anime Punk Sessions EP, recorded in the spring of 2012 while toying around with the idea of an imaginary virtual anime band. Better known for their trademark Scandinavian funky psychedelia, this one-off concept EP shows that the band takes having fun very seriously. Like the title of the EP suggests, the release is nothing short of a playful sound-kiss full of youth and influences from Japanese anime punk, 70′s funk leads, heavy radio compression, and video games, bringing back some long lost innocence with a fun, naive approach to childlike psychedelic soundscapes.

Kick-off tracks “Överture” and “Hiro In The Sky With Diamonds” were recorded shortly after the departure of Japanese Suomisoundi main man Hiro-san AKA DJ Sharaku into the great unknown. A few years back, while Tommi was staying at his house near mount Fuji as a guest, Hiro had given Tommi some Japanese vocal acapella samples and asked, “maybe possible make track?” These two tracks are the result and are dedicated to our beloved friend Hiro-san may he rest in peace. The track “Breakfast In Japan” features influences from Japanese food, 8-bit style game sounds and Amiga-era chip music with a fast steady neo-punkish riddim-grip. To make it extra punk-ish and colorful, the release tops it off with an experimental free-jazz jam featuring Tommi on the grand piano.

All tracks written, amateur-duced, and must-heard by Tommi Sirkiä @ on the road and at Haltya Sound Studio in Helsinki, Finland. Meet the band: Ryoko (vocals/brass), Kazumi (synths), Satoshi (bass), Timosaki (SC), TomTom (drums). Artwork by Shusuke Mitsuyoshi, Wod5525, and Vesa Pasanen. Thank you’s: everybody involved along the way, producers, friends, dancers, travelers, party people, the sound guy, the stage manager, management, promoters, hosts, ride-givers, care takers, flight stewardesses, collaborators, publishers, sponsors, remixers, artists, colleagues, DJs, buyers, payers, prayers, players, and love-hers.

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Released under a Creative Commons licence for noncommercial usage.

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Akashik Record presents Matriyoshka Doll, the second album by the enigmatic Luuli, a boundary-defying producer from the Pacific Northwest. After making a splash with the eponymous Luuli, our good friend is back with a special set of unlock codes to deprogram yourself from the cultural conditioning of consumer society. Let go of your mind, open your heart, dream, and dance like nobody is watching!

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Released under a Creative Commons licence for noncommercial usage. Please support underground music by making a donation for this release via Bandcamp.

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Anomalistic Records presents the self-titled debut of the Pacific Northwest’s most lovably eclectic producer, Luuli. After releasing a series of albums under the guise of FaceHead (as well as certain other indescribably bizarre and downright unmentionable albums), Luuli has returned from the brink of insanity with a complex magnum opus that will short circuit your senses and challenge your preconceptions of what psychedelic music is all about.

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Released under a Creative Commons licence for noncommercial usage.

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Back again! Still linking the phew!ture with the past, these are the so1o adventures of Outolintu (Jürgen Sachau), the Odd Man Out, in the realms of Hi-flyin no-Fi, stardusty tweakology & interlinking sonicry. Slow down & blast off. This is my space for you to travel. Explore these inter(nal)galactic sonic front-ears blending spy prance, flip bop, drill out & hippiedy hop. Whether you fold space on the sofa surfing the groove or bounce your belly and move, I bid you welcome & go well.

Album originally released in 2007, re-release courtesy of Faerie Dragon Records. Tracks zapp!ed & kablammo!ed at the Halfwayhut. Featuring: Oskar Konrad (el.guitar 1,9,10), Master Bates (vocals 3,11), Jack Hzrd (el.guitar 12) & a Rip Van Hippy track getting rmxd (8). Album mastered by Tim Schuldt at 4cn-studios, 2007. Bonus track zapp!ed & kablammo!ed at the Halfwayhut goes Siikajärvi, 2011; mastered by Elad Weinberg at Sattel Battle Studio, 2011. Artwork by Izwoz.

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Re-released under a Creative Commons licence for noncommercial usage. The physical album is still available from Saikosounds. Special spatial thanks to Rob, Jerome, Izwoz, Elad & Alexander for making this re-release possible!

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