Jeremy’s Aura returns to Maia Brasil Records and Omnitropic with his second full-length album, Stop What You’re Doing. For Jeremy, this album came about as a direct response to some very unpleasant circumstances in his life. We are ultimately not the ones in control of what happens and sometimes we are left with no choice but to stop what we’re doing. In these troubled times music was a guiding light and savior for Jeremy. Cooped up for several months, physically frail and mentally weak, Jeremy set about filling his time by composing and producing music. This album is the culmination of that healing experience. Though there may be moments where the trials of the hermit are audible, the overall result is a solid, balanced, and refined musical and emotional experience. Jeremy lets experimentalism take the foreground without much consideration of genre-based aesthetics or audience expectations. He even lets his sound art roots shine through the use of field recordings. The approach was not solely experimental though; on this album we can hear an evolution of the artist’s sound, still recognizing the quirky dub and progressive rock influences without falling into any established patterns. Each song is a unique experience, linked together by the mindset behind them but also standing alone. This album lets all the emotions come together and overlap: happy, quirky, and energetic; moody, emotional, and serious; sensitive, sensual, and delicate; comedic, light of heart, and playful; and right back around the loop. As intense as this story is, Jeremy has always maintained a strong belief in humor and playfulness as a true force of nature and in the case of this album, laughter really is the best medicine. All music composed, performed, produced, and mixed by Jeremy Costa. Vocals on track 5 by Bridget Debernardi; vocals on track 7 by Karina Ultra K. Analogue summing and mastering by Sammy Wags. Original photography and design by Alexander Synaptic.

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Neogoa Records is proud to present Until The End Of The World, a collection of rare and unreleased songs from 2000 to 2013 written and produced by The Faithealers, a group formed by Kris Kylven (of UX, Juno Reactor, and Syb-Sonic) and Markku Louhio (AKA Mark Nomen of Kiwa, Headphonics, and Highpersonic Whomen). The project was formed in Helsinki, Finland, in 1999, and soon thereafter they signed their first single and compilation track to Tim Schuldt’s legendary Aurinko Records. In the years that followed their sound continued to evolve and in 2002 they joined Atomic Reactor, a short-lived sub-label led by Juno Reactor (with whom Kris collaborated with extensively and toured with as a drummer), but further releases did not materialize. Now, with this anthology, the sound of The Faithealers is at last available to listeners worldwide! The best of the band’s productions have been gathered here to transport you to an eclectic multiverse of ethno-mystical sonic landscapes and futuristic worlds of electronic and hardware wizardry. All tracks written and produced by The Faithealers (Kris Kylven and Mark ‘Nomen’ Louhio). Mastering by dB Factory with artwork by Kris Kylven.

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Kazuki’s second album Four Day Weekend is a homage to the temporary space of sound, lights, and interaction that can only be found at an outdoor music festival. A year in the making, the album is a unique blend of techno, breakbeats, trance, and acid rave sounds with a familiar psychedelic edge, referencing classic sounds of the future. Launched at Dragon Dreaming Festival in Australia with a special sunrise DJ set, Kazuki included cuts from the record as well as tunes that have influenced and inspired him in the making of the release. From the artist:

“I really wanted to create something that would be listened to as a full album. When writing this, I was listening to a lot of early 90s to early 2000s sounds, when artists such as Orbital and Underworld used to create tracks that weren’t a specific genre, but were just electronic music and had all those elements of techno, acid, or breaks, all with that rave sound. In many ways, Four Day Weekend is a sonic experiment, which allowed me to pursue different ideas without the restrictions of creating a psytrance EP or whatever. I reckon a few of these tunes will be harder to weave into a typical DJ set I play, but that’s all part of the challenge!”

We hope you enjoy these tasty audio morsels!

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For nearly a decade, American producer Priapizzm has been building a reputation as a musician who bends and warps the language of contemporary psychedelia to tell his own stories. Following the release of collaborations with CinderVOMIT (Bit By Bit as Datavore) and Aquarium (Cream Of Wheat as Naiad Daiad), Izzm set out to craft a solo album as deeply personal as it is rump-shakingly kinetic. Finally, after more than two years of wild experimentation and careful sculpting, Ektoplazm and Anomalistic Records are proud to present ‘Murican, a psychedelic concept album in the finest Floydian tradition. Designed in the form of a fractal, it can be enjoyed as one complete experience, three extended pieces, or nine DJ-friendly tracks. Composed in Costa Rica and Japan and refined on dance floors around the planet, this music is a record of living as a stranger in a strange land, of alienation and sublimity, of tension, loss and joy, of being… ‘Murican. Mastered by Colin Bennun @ The Stooodio, U.K., with artwork by 4MACK.

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Italian downtempo and ethno-psychedelic chill out producer Flowertz (Gianpiero Fiorelli) returns with Kumbhaka, a mix of spiritual moments, sunny vibes, and imaginary soundscapes. Difficult to define but easy to appreciate, the music of this album features intricate percussion, complex rhythms, trippy synth-lines, and a generally positive and emotional atmosphere. Be prepared to flow with the music; just press play and enjoy the ride! Mastered by G-Sonique @ G-Sonique Studio, with visual art by Giag Art.

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